By turns evoking the spectral scene of Heinrich von Kleist’s marionette theatre and confronting what Tavia Nyong’o refers to because the “unsuccessful humor” with the ceramic figurine’s “racist kitsch,” Organ Player aestheticizes the intertwined romantic relationship in between race, subjectivity, and grace. Because the doll’s body composes by itself, at https://johnathaninprs.dbblog.net/4343378/getting-my-organ-player-to-work